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I’m Still a Dyke
2026
Through the eyes of an animalistic, hound-like creature, it speaks to the experience of growing up queer in a homophobic environment. Having grown up in a small town in India, the zine references the memories of where I lived - both emotional and visual - to create the world within which this creature exists. It also touches on my experience with gender and coming to terms with being both non-binary and, as the title suggests, a dyke. With each page using both text and image, the zine becomes its own visual poem, taking the reader on a journey through vivid grassland moors alongside the hound, as it tries to find its community.
Rooms
2026
‘Rooms’ charts every home I've lived in, through digital collages of scanned monoprints, drawings and textures. Each page indexes remembered objects, mapping home not as one place but as an accumulation of memory and belonging.
Exhibited in London Design Festival 2026
Lonely Bodies
2021
Lonely Bodies explores the loneliness attached to the queer experience and aims to bring our voices to those who are still searching for support. The project involved a series of collaborative, community-building workshops with LGBTQIA+ people, whose stories were incorporated into the Lonely Bodies Zine. The process of creating the zine worked as a support system for all those who were involved, while the zine itself worked as an extension of this system.
Shortlisted in Creative Conscience Awards 2021-22
Published in Colouring In, Issue 4
Ways Into Work
2023
This personal project narrates my emotional journey as I travel to office daily. It shows how the tangible elements of this journey (the various routes I take, the public transport, the activities I do) connect with and affect the more intangible elements like my frame of mind.
Award Winner Cheltenham Illustration Awards 2023
Recycle Archaelogy
2022
The project was a collaboration between Recycle Archaeology x UAL x Kingston University. It aimed to find new meanings for deselected archeological finds - finds that don’t have enough data to be displayed in museums. My object was a 70 year old paper (approx.) that documented an archaeological dig on Finlay Street, Fulham.
There were many aspects of this object that fascinated me: the failed attempt at bureaucracy, the incomplete data and documentation and more visually, the scratched out and misprinted words. Through my poster I have tried to replicate the aesthetic of the paper and given the various objects found at this dig a visual form, often filling in the incomplete data with my own interpretation of the objects.
Published in Colouring In, Issue 3
City of Dreams
2023
Mumbai is colloquially known as the City of Dreams (or Mayanagri in Hindi) because of the opportunities it presents to its residents. This project is a subjective guide to the city and explores memories of the years I lived there. The format that this project took was inspired by tourist maps that fold down to a smaller size. The unwieldy nature of folding and unfolding these maps is a metaphor for the effort of unpacking a memory. The book opens into a larger map of the city. The pages inside showcase the memories, places and people I met while living in Mumbai.